As for the stylistic syntax there are numerous cases of the usage of syntactic constructions which posses stylistic properties:

Emphatic constructions:

“She, Mildred Orme, who ought really…”

“Snubbed by a farmhand! a tramp, perhaps.”

“…clever young women of twenty, who are handsome”.

Detachment:

He vas a goot boy vat you can trust, dat Hans."

Rhetoric constructions:

“Are there only sight and sound to tell such things?”

 “Publish her own confusion? No!”

“What could she do? Turn and run, as a little child might? Spring into the wheat, as some frightened four-footed creature would?”

Polysyndeton:

His shoulders were broad and square and his limbs strong and clean.

Asyndeton:

It was summer time; she was idle; she was piqued, and that was the beginning of the shameful affair.

Repetition:

"If you have a father, or brother, or any one, in short, to whom you may say such things "

“Then, why ever it happened, or however it happened.”

Parallel constructions:

“He was young, and brown, of course, as the sun had made him. He had nice blue eyes. His fair hair was dishevelled. His shoulders were broad and square and his limbs strong and clean.”

“Last year he chose to drive an engine back and forth across the plains. This year he tills the soil with laborers.”

“The house itself was big and broad, as country houses should be. The master was big and broad, too.”

Anticlimax:

 “…his arms were holding Mildred and he kissed her lips… it was ten times or only once… him disappear with rapid strides….”